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EFTI Escuela de Fotografía se embarca en una nueva aventura de película: la creación del primer y ÚNICO Master en cinematografía digital a nivel internacional, de más de 1200 horas, que te ayudará a convertirte en Director de Fotografía; quizás el oficio más apasionante del mundo de la creación de imágenes en movimiento.
El programa consta de cuatro ciclos: las asignaturas técnicas dedicadas a las diferentes áreas de la cinematografía digital más actual (iluminación, fotometría, óptica, soportes de cámara y corrección de color), las asignaturas dedicadas al análisis y la creación práctica de un estilo personal, los talleres de autor con grandes figuras de la cinematografía contemporánea y las prácticas de producción ; más de 180 horas dedicadas a la creación de una bobina de trabajos en las que podrás utilizar cámaras de última generación (CANON, BLACK MAGIC, RED, PHANTOM, ARRI o SONY, entre otras)
Toca, experimenta, pinta con la luz, trabaja, disfruta de tu pasión,… lánzate al mundo del cine con los mejores: Kiko de la Rica, Borja López, Angel Iguacel, César Charlone,… y muchos más.
No encontrarás un curso similar.
This short was shot with the The “MōVI” - a digital 3-axis gyro-stabilized handheld camera gimbal. The completely silent device weighs under 3.5 pounds bare and can be operated solo, or with the help of a second “gimbal” operator with a joystick to pull off some incredible moves. To read more about it go to: wp.me/pjtZ0-2a4 The BTS Video is at: vimeo.com/63357898
To download extra features go to: vimeo.com/ondemand/movi
All proceeds from the “Tip Jar” and Vimeo on Demand will benefit the Lollipop theater network lollipoptheater.org/ - a nonprofit organization that arranges showings of first-run movies to children confined to hospitals.
This short was shot ENTIRELY handheld with the MōVI, a Canon EOS 1DC (at 4K) and a Canon 24mm 1.3 Cine Prime (and a Zeiss 18mm CP.2 for the aerial shots.)
A short film about a photojournalist who stumbles upon a cartel execution and supernatural events in the the “Zone of Silence” in Mexico. Starring David Lyons, Luis Moncada, Edward Mora, and Marco Rodriguez.
For more details and behind the scenes footage go to:
Note that this version is a 720p version of the film that is optimized for fast playback on the majority of systems. It does not show the optimum image quality in terms of resolution and compression.
For the High Quality 1080p version of this film go to:
Black Out Days + Future Islands
A simple clip of a 3 year olds perspective.
Used Mini track dolly and steadi cam.
"Created for the Weekend Challenge: vimeo.com/groups/weekendchallenge”
Black Magic Pocket Cinema camera
Lenses: Canon 28mm 1.8, MF3 Lumix 14mm
Music: Lee Rosevere : Eileen
Loser Lap Mondays 2012 video series. Part 1 of 3. Filmed at Sun Peaks Resort BC.
Song: m83 - Run Into Flowers (Abstrackt Keal Agram Remix)
Filming/Editing: Jay Loeppky
Sun Peaks Resort Marketing
Sun Peaks Resort Park Crew
378 Board Shop
Juggling by Nick Laffey.
Shot by Carl G Martin in the Midtown neighborhood in Minneapolis.
Nikkor 18-200 mm
Sigma 10-20 mm
Manfrotto 561BHDV-1 Monopod
Music by Holy Fuck.
Check out more of Nick’s videos on his Youtube page:
Follow me on facebook.com/TSOphotography for more photos, videos & updates.
This was filmed between 29th April and 10th May 2011 in the Arctic, on
the archipelago Lofoten in Norway.
My favorite natural phenomenon is one I do not even know the name of, even after talking to meteorologists and astrophysicists I am none the wiser.What I am talking about I have decided to call The Arctic Light and it is a natural phenomenon occurring 2-4 weeks before you can see the Midnight Sun.
The Sunset and Sunrise are connected in one magnificent show of color and light lasting from 8 to 12 hours. The sun is barely going below the horizon before coming up again. This is the most colorful light that I know, and the main reason I have been going up there for the last 4 years, at the exact
same time of year, to photograph. Based on previous experience, I knew this was going to be a very
difficult trip. Having lost a couple of cameras and some other equipment up there before, it was crucial to bring an extra set of everything. I also
made sure I had plenty of time in case something went wrong.
If you can imagine roping down mountain cliffs, or jumping around on slippery rocks covered in seaweed with 2 tripods, a rail, a controller,
camera, lenses, filters and rigging for 4-5 hour long sequences at a time, and then
having to calculate the rise and fall of the tides in order to capture the essence - it all proved bit of a challenge.
And almost as if planned, the trip would turn out to become very
difficult indeed. I had numerous setbacks including: airline lost my
luggage, struggling to swim ashore after falling into the Arctic sea: twice, breaking lenses, filters, tripod, computer, losing the whole dolly rig and controller into the sea, and even falling off a rather tall rock and ending
up in the hospital. As much as I wanted to give up, the best way Out is
always “Through”. I am glad I stuck it through though because there were some amazing sunrises waiting. At 1:06 you see a single scene from day to night to day which is from 9pm to 7am. Think about that for a minute.. 10 hours with light like that.
I asked the very talented Marika Takeuchi to specifically compose and
perform a song for this movie, and what she came up with is absolutely remarkable. Thank you very much Marika!
Available in Digital Cinema 4k
Press/licensing/projects contact: email@example.com
Music: “The Arctic Light” by Marika Takeuchi
Buy it on iTunes
Artist: Ashton Walden
Shot | Edit: Jay Woods
DOP: Alex Trotter
Add’l Cam: Blas Deschamps
Steadicam: Tyler Marshall
Grip: Doug Ward
Friend of mine lent me his gopro and this was the first thing I shot with it. Basically I just attached the camera to the end of a monopod and ran with my dogs. It was a fun afternoon to say the least.
R.I.P. Clementine - Dec 15, 2009 - Jan 28, 2013 Passed away in her sleep at the tender age of 4. Not a day will go by without us remembering how much joy she brought our lives.
Band: Youth Lagoon
Camera: Gopro Hero (filmed at 60fps)
Editing: Final Cut Pro
Colors/Titles: After Effects