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Dolly Zoom Tutorial for Timelapse Hyperlapse from Eric Stemen on Vimeo.

This video explains the steps on creating a Dolly Zoom for a timelapse and incorporating a hyperlapse.

Gear list:
Panasoinc GH2
Panasonic 7-14mm
Genustech Universal Adapter Bar System - to hold the rails for the follow focus
CAMTREE Solid Gear Follow Focus - to zoom the lens out between each shot
Manfrotto 535 Tripod legs - has a half bowl mount which is important for a good hyperlapse
Sachtler FSB-8 Tripod head - has a half ball mount which is important for a good hyperlapse

Software list:
LRTimelapse - For smoothing out exposure jumps as the sun went down
Adobe Bridge CS6 - For selecting photos when there was an exposure bump
Adobe Camera Raw CS6 - For giving the photos a look and matching exposure bumps
Adobe After Effects CS6 - Makes photos into a video file and smooths out shaky video.


Violent Soho ‘Saramona Said’ from Graetzmedia on Vimeo.

BTS: vimeo.com/103569099
Directed by Dan Graetz
Produced by Benjamin Evans
graetzmedia.com
DP, Editor, Colorist: Dan Graetz
Camblock Tech: Jaymis Loveday
1st AD: Benjamin Evans
2nd AD: Lauren Panrucker
Hair/Make up: Lara Malengret
Runner/BTS: Curtis Black
BTS: Jean-Paul Malengret
Car Fabricator: Andrew Horton

Cast
Driver: Mikey Wulff
Female Passenger: Hannah Wagner
Male passenger #1 Tom Butler
Male Passenger #2 Cole Orr
Special thanks to Adam and all the team at Australian Wholesale meats in Mansfield.


Golden ColHour from Davin Fitch on Vimeo.

Model :: Jeromy Issac “The Dask One”
Music by :: Roberto Martinez
Location :: Austin, Texas
Software :: Adobe Premiere

Created for the Weekend Challenge: vimeo.com/groups/weekendchallenge


2014 CINE REEL // Erik Hecht from Erik Hecht on Vimeo.


Heartless: The Story of the Tin Man from Whitestone Motion Pictures on Vimeo.

Whitestone Motion Pictures is proud to present Heartless: The Story of the Tin Man.

Based on the backstory of one of the most beloved childrenʼs novels of all time comes the extraordinary love story between a simple woodsman and a beautiful maiden. Not having many possessions but wanting to marry his maiden, the woodsman sets his heart to build a large and beautiful cabin.

L. Frank Baum wrote the back story to the Tin Woodsman in his book The Wonderful Wizard of Oz. Heartless: The Story of the Tin Man is Whitestone Motion Pictures retelling this little known story of the tragic arc of a beloved character who was once human, made of flesh and blood that turned into tin.

A few credits missing from the film:

Matthew Silva-Art Director, Key Suit maker

Art Department Assistants-Thomas DeSadier, Dustin Fletcher, Bryan Luallen

Tin Man Suit Team:

Bill Johnson – Dept. Head
Matt Silva – Key

Jonathan Thornton – Lead mold maker

Dustin Fletcher& Mathew Dunnaway – Assistants

Follow us at twitter.com/whitestonemp
whitestonemotionpictures.com

Find Behind the Scenes and Making the Tinman Footage Here: vimeo.com/10737798, vimeo.com/11384017, vimeo.com/11384692, vimeo.com/11385770


a wander through Hong Kong from Billy Boyd Cape on Vimeo.

Last summer I went to Hong Kong.

shot: Nikon D600
edit: Final Cut Pro X
colour: DaVinci Resolve
billyboydcape.com


Kodak 2393 Emulation LUT Test + LUT Download Link from Juan Melara on Vimeo.

Quick test of the Kodak 2393 emulation LUT. Footage shot on the Epic using the Samyang / Rokinon 85mm T1.5 lens, mostly at 50 or 75fps. Download the LUT for free and read instructions on how to use it here: juanmelara.com.au/print-film-emulation-luts-for-download/

Using a film emulation LUT is a quick and accurate way to give your footage the film look. This is how the pros do it on feature films!

I’ve used this Kodak 2393 LUT on all the grades in my Vimeo videos. This time I’ve kept grading to a minimum so you can see the effects of the LUT.

Also included in the package are Fujifilm 3510, Fujifilm 3513 and Kodak 2383 LUTs.

Update: First colour grading tutorial finally released: juanmelara.com.au/the-summer-blockbuster-colour-grading-tutorial/

twitter.com/JuanDMelara
instagram.com/juanmelara
juanmelara.com.au
contact: juan@juanmelara.com.au


Althamer processed by FilmConvert from Affinity Cine Grawender Piotr on Vimeo.

A polish born artist Pawel Altheamer presented his new installation during the Open’er music festival. All of the music festival attendees could decorate and write on it creating a communal artwork. Here is a short film presenting the process.

Paweł Althamer (born 1967) is a contemporary Polish sculptor, collaborative artist, and creator of installations and video art. In 2000, Althamer participated in Manifesta 3 in Ljubljana, Slovenia. He won the Vincent Award in 2004. In 2007, he presented the exhibition One of many with the Nicola Trussardi Foundation.

His longest-running collaboration is with the Nowolipie Group, an organisation in Warsaw for adults with mental or physical disabilities, to whom he has been teaching a Friday night ceramics class since the early 1990s. In 2008 Althamer arranged for the group to wear matching overalls and take a trip on a biplane, which became the subject of a short film by Althamer’s frequent collaborator, Artur Żmijewski (Winged, 2008).

Althamer was part of the so-called Kowalski Studio at the Warsaw Academy of Fine Arts, along with many of today’s leading generation of Polish artists, including Artur Żmijewski and Katarzyna Kozyra. Under the working title ‘Common Space—Private Space’, Kowalski foregrounded the work of art as an effect of complex non-verbal communication performed by artists in interaction with each other, neutralising individualism: ‘each of the participants had at his/her disposal “a space of their own” […], where they could build elements of their own visual language, and the “common space” open to everyone, where they could conduct simultaneous dialogues with the other participants. All without using words.’


ImpulZ™ - Teaser from VisionColor on Vimeo.

ImpulZ™ - Analog Color Science for digital Cinema.

vision-color.com/impulZ

This unique collection of meticulously generated film emulation LUTs brings the subtle beauty of the worlds best analog film stocks to the realm of digital cinematogaphy, photography and color grading. We hand selected some of the most sought after still and motion picture 35mm films to generate color accurate conversions for a large number of digital cameras and color profiles.

Key features:

- available in 3 versions: Basic, Pro & Ultimate
- up to 1900 LUTs
- 16 camera negative emulations
- bonus print film emulations
- up to 4 different output gammas per film stock
- Cineon LOG output
- generic LOG & Rec709 patches + 28 camera/profile calibrations
- entire Vision3 family emulations (50D, 250D, 200T, 500T)
- rare still film emulations (Elite Color & Elite Chrome)
- 5219 film grain in DCI 4k

ImpulZ™ is not just any other collection of one-click-make-awesome presets - it’s a complete toolkit to transform the way you’ll approach color grading. More details coming soon.

****** Available June 10 on vision-color.com *******


Grading GH4 with ImpulZ LUT from Sherif Mokbel on Vimeo.

For a full review of ImpulZ, check here: blog.sherifmokbel.com/?p=220

I got the ImpulZ Pro LUT set the day it was launched mainly because this is the first LUT set to consider GH4 in its presets. ImpulZ is a film emulation LUT product, created by VisionColor and distributed by Denver Riddle, founder of Color Grading Central. He has been offering us a superb collection of color grading tools for our modern digital cinematography workflows, so I was sure I’m getting a product of a high quality from him and his affiliates.

Camera settings:

CineD picture Profile

Master pedestal +10

Highlight -5

Shadow +5

NTSC 60FPS

Lenses:

Panasonic 12-35mm F/2.8

Panasonic Leica 25mm F/1.4

Panasonic Nocticron 42.5mm F/1.2

Editing:

Final Cut X

25FPS timeline for 42% slow motion effect

LUT Utility (colorgradingcentral.com/lututility ) to apply the LUTs

Music by:
Khaled Hamdy khaledhamdy.net


The Fighting Kind from Nils Taylor on Vimeo.

Davin has been estranged from his family for five years. He returns home in desperate need of financial help from his sister, his only living relative. During what is supposed to be a quick visit, he learns that his sister may need more help from him than he needs from her.

TRT: 19:45
35mm


Ventura, CA - DJI Phantom - Aerial Film by Darren Miller from Darren Miller on Vimeo.

All shot on GOPRO HDHERO3+ , DJI Phantom 2, Zenmuse H3-3D Gimbal. Shot in Ventura, CA.


"Tired" by Megan McShane from Megan McShane on Vimeo.

The tragic story of a spare tire who struggles to find a new purpose.

Created by Megan McShane: meganmcshane.tumblr.com

Type by Greg Mako: gregmako.com/
Music by Lichen: lichenourfriends.tumblr.com/
Sound design and mix by Keith Ukrisna: ansirku.com/

Official selection at Hamburg Animation Film Festival, Animation Block Party, and Blue Plum Animation Festival.

Follow Tired on Facebook: facebook.com/RollAwayFifthWheel

All works Copyright 2014 Megan McShane


tired from Matt Wiebe on Vimeo.

I told myself I wouldn’t make any more pet videos. But when I saw those two faces squished together like that, I couldn’t resist.

****R.I.P. Clementine - Dec 15, 2009 - Jan 28, 2013 Passed away in her sleep at the tender age of 4. Not a day will go by without us remembering how much joy she brought our lives.

Canon 60d
50mm 1.8
FinalCut
AfterEffects

Band: El Perro Del Mar
Song: Inside the golden egg


Killin’ Time from TwinFilms on Vimeo.

"Killin’ Time" from Twin Films