Behind the Scenes photo shoot for Pacquiao Marquez IV poster with Monte Isom for Top Rank
4K/2K Sequences from the incoming project of Ezeiza International Airport. Shot on 2 Sony FS700 and 2 Odyssey 7Q. Graded in Davinci Resolve Lite 10, exported to ProRes and timeline edited in Adobe Premiere CC.
Sony and Canon EF lens were used + metabones adapter + follow focus.
This was the cold open for an episode featuring the cast of The Walking Dead that I was the DP on. Shot in 2K raw with the FS700 and Odyssey7Q.
Communications lines dissolve, and a water smuggler navigates a tumultuous, dystopian city on the brink in this lyrical “low-fi sci-fi” tour through a bleak future - setting the stage for more to come.
Made in China - AI WEIWEI (艾未未) - HU JIANING (胡珈宁) - LI NING (李宁) - BAI YAO (白瑶) - in order of appearance.
41st Telluride Film Festival World Premiere.
…visit wishnow.com for more…
THE MODEST TRUTH (2013)
Director: William Brooks
Director: AJ Harper
*WINNER - Jury Award Best Short Film @ 2013 Hollywood Black Film Festival
*Offical Selection @ 2013 Reel Independent Film Extravaganza
*Offical Selection @ 2014 San Francisco Black Film Festival
*Offical Selection @ 2014 North Carolina Black Film Festival
Besançon in Motion (April - May 2012) - Timelapse Photography
By Mayeul Akpovi (facebook.com/mayeulak)
Area: Besançon, France
Soundtrack: Trailerhead: Saga - Invictus
Thanks To :
- François Essomba
- Souleymane Diallo
© All rights reserved. May 2012 - Mayeul Akpovi - mayeul.com
This is a collection of footage i’ve shot with a beta unit of the Blackmagic URSA (EF mount) over the last few weeks.
Disclaimer: I now work for Blackmagic Design but this video was produced the same way as my previous beta videos, and is definitely not some kind of ‘official’ demo video. Its just a collection of personal footage i’ve shot while getting to know the camera recently. - Hook
I originally tried to upload an UHD Prores LT, but it failed at 88%. :( I will continue to try and replace the current file but even if not, i still recommend downloading the 1080 Prores LT version - the motion looks a little ‘funny’ on vimeo.
This was all shot using ONLY the built in 10” screen for composing/focus and most of the time it was just Danelle and I grabbing footage, i really wanted to see if this bigger camera could still be used like the much smaller BMD ones without a crew etc. The only exception to this being some music video footage, but that was also a tiny crew of 3 of us involving me as director/dop/gaffer with Johnathan Guest from Halcyon Digital being camera/lighting assist, as well as DIT and dolly grip !!
The rest is friends doing us favours and getting footage while on holiday to celebrate our 10 year anniversary in Queenstown. Carrying around the URSA, lenses, and tripod on ski slopes was tiring and hard work and not much of a holiday! I also almost dropped the camera off the side of a friends mini speed boat while trying to hold it up to get footage going down the river. :-P
HUGE thanks to:
Jeremy and Julian McPike
Todd Columb and his freerunning friends
Jayden and Ange Keoghan
Sound The Ocean
Chelsea and Michelle Barns
and of course my much better half for the last 10 years - Danelle !!
Edited and Graded in DaVinci Resolve 11
Mostly shot at 60fps Prores 422HQ in camera and conformed to 24fps.
LENSES: Sigma 18-35/1.8 Art, Sigma 50/1.4 Art, Canon 70-200/2.8L II IS
Hoya ProNDs and Tiffen VariND+Hoya IR Cut
Schneider Hollywood Blackmagic 1/4 and Tiffen Soft FX 1
MUSIC: “By Your Side” - used with permission from Alan Poettcker of “The Runaway Club”
Not a showreel. This movie is trying to explain what a Colorist does and how he or she can add value to a project
This video explains the steps on creating a Dolly Zoom for a timelapse and incorporating a hyperlapse.
Genustech Universal Adapter Bar System - to hold the rails for the follow focus
CAMTREE Solid Gear Follow Focus - to zoom the lens out between each shot
Manfrotto 535 Tripod legs - has a half bowl mount which is important for a good hyperlapse
Sachtler FSB-8 Tripod head - has a half ball mount which is important for a good hyperlapse
LRTimelapse - For smoothing out exposure jumps as the sun went down
Adobe Bridge CS6 - For selecting photos when there was an exposure bump
Adobe Camera Raw CS6 - For giving the photos a look and matching exposure bumps
Adobe After Effects CS6 - Makes photos into a video file and smooths out shaky video.
Directed by Dan Graetz
Produced by Benjamin Evans
DP, Editor, Colorist: Dan Graetz
Camblock Tech: Jaymis Loveday
1st AD: Benjamin Evans
2nd AD: Lauren Panrucker
Hair/Make up: Lara Malengret
Runner/BTS: Curtis Black
BTS: Jean-Paul Malengret
Car Fabricator: Andrew Horton
Driver: Mikey Wulff
Female Passenger: Hannah Wagner
Male passenger #1 Tom Butler
Male Passenger #2 Cole Orr
Special thanks to Adam and all the team at Australian Wholesale meats in Mansfield.